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We care for one of the world’s greatest collections of historic paintings.

Our Collection, of over 660 works, features famous paintings by great artists such as Rembrandt van Rijn, Thomas Gainsborough, Nicolas Poussin, Canaletto, Bartolomé Esteban Murillo and Mary Beale. Most of our works were created in Europe between 1500 and 1850, and you’ll discover paintings ranging from Tudor portraits to Italian altarpieces, from French landscapes to Dutch interiors. Our Sculpture Garden is home to contemporary sculpture, including works by Rob and Nick Carter and Peter Randall-Page.

Search the Collection

Dive into our full collection of over 600 artworks— look closer, download, and uncover the artists, stories, and meanings behind each piece.

A white wooden arched bridge spans a calm river with people boating and walking nearby under a cloudy sky.

Discover the history behind the Gallery

Conservation and research

We look after one of the leading collections of historic paintings in the world. Looking after our Collection involves day-to-day tasks – such as regular checks, cleaning and monitoring conditions in the Gallery – through to larger scale conservation, restoration and technical research projects which can sometimes take months to complete.

We are continually discovering new information about our paintings. The Gallery’s curators work closely with specialist conservators and scientists to ensure the continued preservation and research of our internationally significant art Collection.

Conservation projects are only possible with the help of generous donors. If you would like to support conservation and technical research at Dulwich Picture Gallery, please email the Development team: development@dulwichpicturegallery.org.uk.

Archive and works not on display

Nymphs by a Fountain by Sir Peter Lely DPG555

We are continually discovering new information about our paintings, and welcome researchers to the Gallery.

Our archive and works not currently on display are accessible by appointment, please email: curatorial@dulwichpicturegallery.org.uk

Our archival materials include:

  • History of our Collection from its formation in 1811 to the present day.
  • Dossiers and conservation files for each work in our Collection.
  • Interpretation materials from 1814 onwards, including early Collection catalogues.
  • Visitor books 1869-1940.
  • Governors’ Minutes / Picture Gallery Committee Minutes 1858-1995.

Picture Library

We endeavour to make our Collection accessible to as many individuals as possible and images of our paintings are available to be licensed for study, editorial, and commercial usage.

Personal use

We are dedicated to sharing one of the greatest art collections in the world, with the world. If you wish to use one of our paintings for personal, non-commercial use, you can download images for free from our Collection pages.

Examples of personal use are:

  • Research, private study, or for internal circulation within an educational organisation (such as a school, college or university)
  • Non-profit publications, personal websites, blogs, and social media

Academic Licenses

For use in a classroom, use in a dissertation or for research-based and non-commercial publications, if the combined print/electronic run is below 2,000 copies for books, or 4,000 copies for journals, we supply images free of charge. Please complete the “Academic use” request form below and email to: curatorial@dulwichpicturegallery.org.uk

Picture Library Request Form - Academic use

Please note that Picture Library requests may take up to 4 weeks to process. Please allow for this when submitting your request.

Editorial and Commercial Licences

Image licences for editorial and commercial use are available through Bridgeman Images.

The Flower Girl by Bartolomé Esteban Murillo small

Artworks on loan

We’re committed to making our world-class art collection accessible to as many people as possible. That’s why we regularly loan works from our Collection to exhibitions around the world for short-term displays.

Christ in centre of the work identified by halo of light around his head speaks to a bald bearded man far right who points to a dejected woman held by two men to Christ's right.